A.M. Boyle's Blogomatic

WHAT’S THE TRICK?

A.M. Boyle — 2010-06-13T21:43:23Z

So you wanna write a book, eh? Want to know the secret to getting it done? Read on!

When I tell people that I'm a writer, I get a variety of different reactions, many of them not so nice, ranging from boredom to disdain to doubt, and everything in between. But when people find out that I have finished a novel and that it has actually been published, I get a much different response. For some odd reason, it seems to give me more credibility and inevitably, many of them divulge that they, too, have aspirations of being a writer, but don’t quite know where to begin. The most common comments I get are as follows:

“How’d you do it?”

“I've always wanted to write a book; I just wish I knew how.”

“I have so many great ideas for stories, but I don’t know where to start.”

“I started writing a book, too, but I can’t seem to finish it.”

“I wish I knew the secret to writing a book.”

I have to smile when I hear comments like these because, at one time or another, I’ve probably made those same remarks. But the truth is, when it comes to sitting down and writing a book, there is no trick. There is no special secret. There is not even a magic formula. It just takes two normal, everyday “D” words: Desire and Dedication. Sounds trite, I know, but sometimes the truth is trite. Without real desire, there will be no dedication. Without real dedication, there will be no book with you listed as the author. Enjoying writing isn’t enough. Jotting down a few words every so often when you are in the mood, is not enough. You’ve got to really, really want to do it, and you have to be willing to sacrifice time and effort to get it done. Otherwise, you are doomed from the get-go. There’s a big difference between wishing for something and really wanting something. Take for example the big Bike Race to be held in my neck of the woods in July. I love to ride my bike. I especially love to ride on a cool day, when the is sun shining and a nice gentle breeze is blowing, and I don’t have to sweat my butt off or fight the weather. Double especially if the place where I’m riding doesn't have too many hills, and is not too challenging. Triple especially if the scenery is pleasant, and there is no traffic (the Boardwalk, for instance). On the day of the Big Bike Race, I will probably go and watch At one point, I might be inspired enough to say something like, “Gee, I wish I could compete in a Bike Race too,” or “Wow, I wish I had all that cool gear and could handle a bike like those people.” But the fact of the matter is, while it’s a nice idea, it’s just a wish. In reality, when I consider all the preparation and hard work that is necessary to compete in and finish a grueling bike race, it’s a deal buster. Could I do it? Sure--physically, I have the potential. Will I do it? No, because it’s not that much of a priority in my life. I don’t want it that badly. I don’t have a strong enough desire to drive the dedication necessary to commit myself to the grueling hours of hard work necessary to get in good enough condition to compete in such an event.

It’s that way with writing. If you really want to finish writing the book you've had tucked away under your bed since you wore bell bottoms, then you will do it—so long as you have the big Double D: Desire and Dedication. That’s something you have to decide first. Quite honestly, writing a book can be hard work, and it takes time a lot of time. Sometimes, it can be tedious and not all that much fun. Ultimately, though, for me, there is no bigger kick that watching a story in my mind come to life on paper. It’s an astounding, amazing, and nearly miraculous experience, second only to childbirth (and sometimes, just as painful). When I stare at a blank page on a computer screen, I see sheer, unadulterated potential—it’s exciting, it drives me, and when I’m in the middle of writing a book, it comes pretty darn close to being an addiction. In fact, do you know why I haven’t Blogged in 95 days (or at least that's what my GoDaddy meter tells me)? I’m deep into the sequel to TURN OF THE SENTRY, and it’s all I really want to do. My kids have to remind me they are still here and haven't gone off to college just yet. My husband is getting darn sick of take-out. The hamster’s cage has gotten so dirty, she’s hired a cleaning lady. The dogs have started taking themselves for walks on the treadmill. I have to be reminded to shower, eat, get up and move so I don’t throw a blood clot…well, I exaggerate a little; no one ever has to remind me to eat. But you get the picture. It’s what I want to be doing—it’s my Desire, and the Dedication follows naturally.

Now, after reading all that, if you still think you want to write a book—if you’re pretty darn sure that you’ve got the Double D—then keep reading, because even with Desire and Dedication, it’s easy to get stuck. And while I have no secret recipe for writing a best-selling novel (and if any of you do have that particular recipe, don’t be a hog—pass it along!) I do have a few tips to help you move forward and finally get those words on paper. These four strategies have helped me stay on track:

Know Your Points Some writers draft meticulous outlines for their novels, some just have a sketchy idea of what’s going to happen. Despite what others may tell you, I propose that there is no right or wrong way—it depends upon your own taste and style. For me personally, outlines don’t work. It saps most of the fun out of writing. I like to be surprised with what happens in my story. Still, I do strongly suggest that you at least know your Plot Points. You need to have an idea of where the story starts, where it will end, and some of the major milestones that happen in between. It gives you something of a general road map to work with, and then it’s up to you to fill in the lines in between. I’m not saying you need turn by turn directions, like some sort of literary GPS (unless writing that way suits your style), but you do need some dots to connect along your route. Otherwise, you could wind up wandering aimlessly, never getting anywhere with the story, and that will make you give up. Of course, unless your Moses, nothing is written in stone, and the plot points can change or develop (or even disappear entirely) along the way, but that’s okay—despite what my first grade teacher tried to drum into my head, there’s always more than one way to connect the dots. But having them there will give you progressive handholds to reach for when climbing onward with your story.

Know Your Characters Always remember that you don’t tell the story—your characters do. Regardless of what point of view or perspective you choose for your book, never forget that your main characters are the ones who drive your story. You may be the navigator on this road trip, but they are behind the wheel, and they direct the lines which connect your plot points. In order to give your characters that kind of control, you have to know them and trust them. For that, you first have to be interested in them. Unless you are genuinely interested in your characters—what they are like, what they do in their spare time, what motivates them, what moves them, what’s their favorite flavor of ice cream, and so on, your story will likely become one-dimensional and tedious and eventually stall out. Chances are, you will be spending a lot of time with your characters along this journey, so get to know them first—take them to lunch, buy them a drink, ask them their opinions on politics. I know, I know; some of you may feel silly talking to characters that exist only in your head, but it’s okay—just don’t talk out loud (unless you have a Blue Tooth hooked over your ear—then go for it). When you develop a relationship with your characters, you are invested in them, and it will really help to fire up that all-important second “D” of Dedication.

Dance Like Nobody’s Watching And write like nobody will ever read it. Sometimes when I write my first draft, I find my mind wandering into the “what will they think” bog. I start wondering if I have a sharp enough hook, or whether I’m painting the right picture for the readers, or if I'm burdening them with too many adjectives, or whether I'm giving them the right information at the right times, and so forth. That’s a great way to get stuck in the muck. Free yourself from the worry of what other people will think by playing the “it’s just for me” game. In other words, write the story that you want to read, and write it as if you are the only person on Earth who will ever read it. Ultimately, this may or may not be true, but pretending that it is can be your gateway to freedom! There will be plenty of time to worry about the details later, and there will be many revisions to come where you can polish the writing and hone the story. But your first draft should be your time to explore and have fun.

Stick to Your Limits This point, although last, is oh so desperately important. You MUST set a word limit for yourself—a minimum amount that you will write on a daily or weekly basis. Personally, I prefer a daily limit—weekends excluded—it keeps me honest. But everyone is different and you have to find a limit that suits your schedule and you need to keep it realistic. Don’t expect to sit down and do 10,000 words a day. Granted, I know some amazing writers who can do that in a blink, but not many. Start with something like 500 words a day (or 2,500 words a week, if you do it five out of seven days). Or maybe 300 words every other day. How about 600 words on Mondays, Wednesdays and Fridays? The idea is, find something that will work for you and that you know you can live with. Then STICK TO IT. It’s like going to the gym—when you first start, it will be easy, and you will be pumped up and motivated. But then you will reach a point when you get a little tired of the routine, and you're tempted to find reasons not meet your limit. That's where the Dedication part comes in. Car broke down? I don’t care. Stomach bug? So what? Relatives are visiting? Not an excuse (actually, for me, it's an excuse to write more). Poison Ivy all over your hands? Type with your toes! Okay, I am exaggerating again, but the point is, don’t give in to excuses. Do all in your power to stick to your commitment. Some days the words will flow like gravy on roast beef, and you will write above and beyond your limit. But there will also be those days when the words will flow like frozen molasses, and you'll want to give it a rest, knowing tomorrow will be a better day for writing. Don't succumb to that lie. Write anyway. Even if it’s gibberish, put something on paper. Your Muse is like a spoiled child—the more you let it play hide and seek, the more it will elude you when you need it most. Force yourself to write even when uninspired and eventually, your Muse will get jealous and come out of hiding. And, if you stick with your limit, you are guaranteed an end in sight. For instance, if you write 500 words a day, five days a week, in 36 weeks (that’s about nine months, people) you’ll have a 90,000 word first draft novel completed. Sounds good, doesn’t it? Well, I can tell you, it feels even better.

Of course, the first draft of a novel is only the beginning and there are many revisions on the road to publication. But don’t let that scare you. A first draft is a great accomplishment in and of itself. At the very least, if you stick with it, relying on your Double D’s, pretty soon people will look at you and say, “Wow, I always wanted to write a book—what’s the trick?”

As always, that's just my opinion.

A. M. Boyle

House of Mirrors--When Champions Become “Chump-ions”

A.M. Boyle — 2010-03-11T17:34:00Z

WARNING! RANT IN PROGRESS--PROCEED WITH CAUTION!

Naivety strikes again. When will I learn?

Writers groups. Why do they exist? The most logical of reasons comes to mind: to help writers. It has always been my belief that writers' groups were there to offer a leg up to writers, especially newbie writers and debut authors, by providing a forum in which to ask questions and network with other writers. I always pictured them as safe havens of sorts—places where advice could be found, network opportunities abound, and anew writer could find support and encouragement along the way.

So why is it that so many writers’ groups (especially the “big,prestigious ones”) actually put up barriers and hurdles for the newly published author—do they think we haven’t encountered enough roadblocks already?

I am especially peeved about the elitist attitude several of these “big groups” maintain (who shall remain nameless—but I’m pretty sure they know who they are). Among their membership there is a nearly constant cry of “foul” against the large publishing houses and overly-bloated literary agents because of their exclusionary attitudes and reluctance to give new talent a chance to flourish. Yet, these same writers’ groups erect unanticipated and unwarranted barriers themselves against new authors who are just trying to get themselves and their work “out there.”

Recently, I tried to join a couple of these writers’ groups,feeling relieved and ecstatic that, at long last, as a “published author” I had finally earned my stripes. However, I was quickly chastised when I applied “for the wrong type of membership.” Apparently, although I am technically a “debut author” published by a traditional publisher, my publisher was not one of “their”recognized publishers. I was not entitled to have my book posted or promoted on their website as a debut novel,nor was I entitled to membership as a “published author” because my publisher was not recognized as legitimate.

Give me a freakin' break.

Not recognized as legitimate?

Why? Simply because they don’t meet the groups exclusionary and arbitrary criteria.

My publisher, Wild Wolf Publishing is based out of the UK. They are a new publisher--a micro-press--trying to establish themselves in an industry where only the “big guns” get top billing and preferential treatment. They have struggled to legitimize themselves, have published a slew of unbelievably awesome books, and have fought unceasingly to get their authors recognized. They have had their authors reviewed by many prestigious publications, including Publisher’s Weekly, The Times, and the BBC. While they are still aching to turn a reasonable profit, and are currently unable to pay their authors an advance, they do all that they can to place their books, market their books, publicize the books, and sell their books.

Yet, upon application, they were turned down—twice—since they did not meet the criteria established by the particular writers’ group to become an “accepted publisher." And so, the author suffers. The author becomes a second-class member, paying higher fees for a second-rate membership and, by association with an “unrecognized publisher,” is not considered worthy of any kind of honor, recognition or promotion.

What a certified load of crap.

Another big-named and “prestigious” writers’ group insisted I was not entitled to a membership status that recognized the fact I was a published author because I didn’t make enough money on my book. Apparently, since I did not get paid an advance and my book did not earn enough in sales (by their standards), I was not entitled to be placed in the ranks of a legitimate and recognized “published author.” Again, I would have to settle for a second-class (and more expensive) membership because, in their eyes, the fact that I had published a book (even one that's gotten some excellent reviews) wasn’t worth diddly-squat.

Makes me want to puke.

Don't get me wrong--not all writers' groups are created equal, and there are many out there (especially the smaller, local ones) that are extremely supportive of new writers and the debut authors. Kudos to them for all the good work that they do, the encouragement and advice they deliver by the truck-loads! But this post refers instead to those "other" groups out there (and, as I said, I refer to mainly the larger ones who may have grown too big for their own good), whose supportive endeavors are being increasingly overshadowed by their elitist attitudes.

These self-proclaimed beacons of the industry, these champions of the author, these bastions of quality literature in a literary world that favors cookie-cutter paperbacks and name recognition over new talent, have sold out to the same elitist mentality which has drained the life out of so many aspiring writers. They have turned into Chumps.

And as I slam my nose into yet another closed door, I have to wonder what the future holds for the new author. I was inspired by the growing “grass roots” emergence of micro-presses and small publishers, believing them to be the eventual salvation of an industry riddled with pigeonholes and seemingly blinded to new talent. But if these small presses must wear the scarlet letter of illegitimacy since, by their very nature, they are not big money-makers, that small wellspring of hope will quickly run dry. When a new author who has sufficient talent to actually get published in this difficult environment, is quickly rebuffed for failing to earn sufficient royalties, it pisses me off. It’s a classic “Catch 22”—the writers’ organizations that hold the key to fast-track promotion, recognition, awards nomination, and overall validation are penalizing the new author who is struggling to find bona-fide avenues of promotion, recognition, awards nomination and overall validation.

I’m sure the members and powers that be who run these groups can cite reasons upon reasons to justify their right to exclusion, and some of them may even make sense. But that doesn’t make it right—not by a long shot. It’s like being trapped in a house of mirrors, where each mirror claims to be different, but offers only a reflection of the others.

FOR FREE OR NOT FOR FREE, THAT IS THE QUESTION

A.M. Boyle — 2010-02-25T18:01:00Z

Okay, I know I promised this blog post last week, but sometimes life gets in the way. Better late than never, though—right?

Anyway, the idea for this topic came to me after a post that I put on one of the Writer’s Boards earned me an embittered “tongue lashing” by a few fellow writers. Writer's Boards can be brutal at times, even though (I thought) their primary purpose is to offer mutual support, encouragment and amicable networking opportunities. Just me being naive again, I guess.

Here's the gist of what happened: My editor and friend, Catherine Rudy, runs a very small independent publishing house called “Wolf Pirate Publishing.” Catherine is one of the most gracious, philanthropic, and munificent people I’ve ever met. She shares her time and considerable talent generously with others and has a genuine love of literature. She has a quick wit and a somewhat sardonic perspective on life, and her skills as an editor are, in my opinion, unmatched. Like many small publishers, her business has floundered amid the crashing waves of economic turmoil. Still, her passion for literature and her desire to promote talented writers and their work, has not waned. Although her publishing endeavors have fallen a tad short (or perhaps because of that fact), she has decided to defy the odds and undertake a very unique venture called “The Wolf Pirate Project.”

In brief, the Wolf Pirate Project offers authors of contemporary literature a real opportunity to sharpen their skills, polish their work and perfect their craft while providing writers and readers a unique forum by which to connect and interact. The idea for the Project (a non-profit endeavor) arose from Catherine's genuine desire to encourage literacy and bring readers and writers together in an appreciation of literature as a worthy form of art. The Project hopes to accomplish this goal in part through creative writing courses and through its writer’s workshop (the latter designed to take talented writers through the entire pre-publication editing process—this is the workshop that shaped TURN OF THE SENTRY into a publishable novel). The Project seeks to encourage reading skills and help to promote reading as a viable form of entertainment in a society that has largely lost touch with the simple pleasure of a good novel. A love of reading develops early in life, and consequently, the Project seeks to focus on young (middle grade) readers, helping to foster a genuine passion for reading by providing material that will inspire and engage them, rather than bore them to tears. Towards that end, the Project is developing a reading text book which will (hopefully) be used by middle grade students and young adults.

Which (finally) brings me to the point of this blog post. Catherine is seeking submissions for inclusion in the textbook. She is looking well-written short stories of all genres. The catch, however, is this: since this Project is a nonprofit (charitable) endeavor that is just now being launched, there is no money available to contributing authors. In fact, Catherine is operating at a loss in order to get this project up and running, shelling out a good deal of money from her own pocket to see it through. Many people find this incredibly hard to believe (i.e that someone would care enough about a charitable project that they’d be willing to lose money on the deal) and when I posted a request for submissions, explaining that this is a non-paying project (although the author would get full credit for the story, retain all rights, and hopefully receive some positive exposure), Catherine (and yours truly by association) got blatantly accused of “taking advantage” of talented writers by refusing to pay them for the work that they do. Some of the comments got downright nasty.

Hmmmm….interesting. Apparently some writers don’t feel that they should contribute their writing—the sweat of their brow, their product, their primary source of bread-and-butter—for “free,” nor did they believe Catherine and The Wolf Pirate Project are on the up and up, suggesting that perhaps they are hiding buckets of money in the back room, looking only for slave labor that they can later cash in on.

It’s natural that people, writers included, want to get paid for the work that they do. Hell, I do. Writing is often hard and tedious work. It's my craft, my trade, my vocaton--of course I hope to earn money doing it. But aren’t there times when a writer should consider contributing their talent towards a worthy cause without the expectation of monetary compensation? Isn’t it, to some degree, our responsibility to do so?

I was a lawyer for 17 very long years before retiring to pursue my more peaceful existence as a writer. For two of the states in which I was licensed, it was a requirement for every attorney to log in a certain number of “pro bono” hours—that is free legal representation purportedly for the good of society. In the state where it wasn't a requirement, it was a very strong suggestion. In New Jersey, the Court assigned pro bono cases to you, whether you liked it or not, and you were hard pressed to get out of it, no matter how busy your schedule was. The theory behind the pro bono requirement was that lawyers had a specialized skill, and should be obligated to use that skill for the good of others and to "give back" a little to society. Sort of legistated morality. Granted most lawyers make a ton more money than writers, but should that matter? Shouldn’t the same principles apply? I’m not saying that a writer has to put him or herself in a financial bind by obligating themselves to an overload of pro bono work, but if a writer has a well-written short story from which middle grade students can benefit, is it so terrible to ask that the writer submit the story for publication in a text book without the expectation of payment? After all, they keep the rights to the story and are entitled to sell it elsewhere. In fact, I maintain (probably against popular opinion, and at risk of being labeled a radical, an extremist, a socialist, a communist, a flaming liberal, or a dozen other less endearing terms), that every person who has a talent or skill of some sort (and that, believe it or not, includes ALL of us) should be obligated to, on occasion, use that skill or talent for the betterment of society without expecting monetary compensation. There. I’ve said it. Now go get your pitchforks and flaming torches. It doesn't matter. I believe what I believe, which is that this world would be a much, much better place if we all took that concept to heart, and voluntarily contributed our time and talents for the benefit of others.

Alas, I’m afraid that many in our society have a bit of selfish streak that prevents them from engaging in this kind of overt "sharing and caring." At the risk of sounding like my mother, I see a lot of the "what's in it for me" mentality reflected in our younger generation. I’m not even talking about our teens and preteens so much as I talking about the 20-30 something crowd. And I've seen it among my colleagues to an alarming degree. Maybe I’m not looking in the right places or meeting the right people, but as a "for instance," 9 times out of 10, when I talk about the mission work that I do with my church (i.e. spending my own time and money to fly to Louisiana to help strangers rebuild their houses, or spending a Friday afternoon serving lunch to homeless people in my area), I get the most puzzled looks along with some version of the question, “what do you get out of it?” Not everybody, mind you—some people get it. But many do not. And it is this same attitude that causes some writers to go ape-shit on me when I suggest that they actually submit one of their stories for use by a nonprofit project without getting paid.

Maybe I’m totally wrong. Maybe every author should demand top-dollar payment for each and every quality piece of writing they produce. Maybe, as some of my critics have pointed out, it is attitudes like mine that keep writers trapped in the cycle of slave labor, where they routinely don’t get paid nearly enough for the work they produce. Maybe I’m just too naive and altruistic for my own good, and it is people like me that are perpetuating the problems so prevalent in the literary industry and perhaps even society as a whole.

Or maybe not.

I don’t know.

But I do know that I have never woken up at 3 a.m. unable to sleep worried that I’d given too much away “for free;” to the contrary, I wake up wondering if I've done enough. Money, in my view, offers only a fleeting illusion of security and while it may be a necessary commodity to live in this world, there is oh, so much more to this life than the “almighty dollar.” And if I resign to only give of myself—my time, my talents, my writing—only in exchange for a few pieces of green paper….well, that’s what I really consider “slave labor.”

That's my story, and I'm sticking to it.

A.M. Boyle

P.S. I apologize if this Blog post is “too long” for your taste (yes, I have been criticized for that as well), but writing is my most comfortable mode of communication, and I wasn’t aware of any regulations limiting the number of words I choose to use to express my opinions. Thank you for sticking with me, though—I hope it was worth the extra cup of coffee.

PSS: If you want to read more about The Wolf Pirate Project, and explore the workshops and creative writing offerings that are available, visit their website at http://wolf-pirate.com/

Insanity--The Character(s) of a Writer

A.M. Boyle — 2010-01-30T04:09:00Z

Let me start this post with a disclaimer. Everything in here is just opinion. More specifically, it is my opinion as it pertains to writers of fiction, such as myself. None of this is based on science, statistics or medical evidence of any kind. Nor is any of this meant to apply to that rare and admirable breed of writer who takes on the challenge of non-fiction. So, all that being said, feel free to read on.

The other day, I posted a quote on my Facebook status that read, “Writing is a socially acceptable form of schizophrenia." ~E.L. Doctorow. Although Mr. Doctorow probably meant the quote to be taken as tongue in cheek, it really struck a chord with me, and I found myself thinking about it a little more deeply. After a bit of reflection and self-analysis, I decided that the quote is, to some extent, true.

You see, growing up, I pretty much thought I was nuts. Not in the cute, “oh you’re just a little wild and crazy kid” kind of way—rather, in the “you are certifiably insane and ought to be locked up” kind of way. You see, I had a cast of characters living inside my head. Not the scary “Sybil” variety, i.e. they didn’t pop up at odd moments and take control of my life. It was more like a television set had been implanted inside my head, and I had instant access to some really cool shows. I could turn it on or off anytime I wanted, and I lived vicariously through the characters who had fascinating lives of their own within this hidden world. I had quite a cast at my disposal, and whenever I was bored, angry, frightened, anxious—or sometimes just because—I would simply turn to whatever “channel” I wanted and retreat into another world filled with drama and adventure. I’d sit for hours, staring at nothing in particular, just letting it all unwind inside my mind. It came in very handy at school when the teacher was babbling about something I couldn’t care less about (and they wonder to this day why I still can’t do long division correctly). It came in handy when, as the youngest of five, my viewing preferences for our one and only television really didn’t matter. It came in handy when my mother would make me go to bed ridiculously early simply because she needed the peace and quiet; It came in handy when my parents dragged me along on endless appointments with realtors and home builders and financial institutions in preparation for their major move from New York City to “the Country.” You get the drift.

Back then, I didn’t worry about it. I was a child. Children were supposed to play pretend. To me, this was just a form of pretend. And, on occasion, I would even slip into one of my characters, find out what it was like to be him or her. It was all in good fun. But as I got older, progressing through my teen years and into young adulthood, my cast of characters, rather than diminishing, actually grew, with more spin-offs than “All in the Family,” and plots so complex I had to make a flow chart to keep up. I had figured out by then that these “mind games” I played were not a common experience shared by my peers or, if they had been, were abandoned along with childhood. Consequently, I began to feel that perhaps there was something not quite right with me. I tried several times to stop the constant parade of adventure going on in my head, but when I did, I found that I truly missed my characters. I felt cheated, and it would put me in a foul mood. Ultimately, when boredom and frustration reared their ugly heads, I would fall back on old habits. It was like an addiction.

So I kept it up, eventually surrendering to the notion that this was simply a part of who I was, and it would never go away. Besides, it caused no harm that I was aware of. Still, I told no one about this secret world I had invented for fear that they would confirm what I already suspected—that I was certifiably insane.

Time passed and, as the stresses of life eventually took their toll, I ended up across the desk from a psychologist, trying to resolve unresolved grief while grappling with a childhood that was less than stellar. In the course of these deep and confidential conversations, the spirit moved me to finally confess my treasured secret. With a mix of trepidation and relief, I told my psychologist about the cast of characters in my head, and the constant intrigue and companionship they had provided over the years. He nodded and smiled and asked a few questions until finally, gathering my nerve, I asked him, point blank, “So, tell me, does that make me crazy?” With a look of bemusement, he sat back, looked me straight in the eye, and said with a chuckle, “You’re not crazy. You’re a writer.” He then proceeded to tell me of how several other confused writers had come into his office at one time or another, wondering, too, if they were crazy for experiencing the same phenomenon I had just described.

Apparently, I was not alone in my affliction after all.

I simply hadn’t had the brains to figure out that what I was imagining in my head needed to be put down on paper.

And so a writer was born. I sorted through the reams of stories backlogged within my psyche and shuffled through the mob of characters I’d created in order to find those most suitable for this new project. And when I found just the right ones (actually, the most persistent and vocal of the bunch), I sat down in front of a keyboard and let them tell their story. I never intended to have anyone read what I was writing, but wrote solely for my own enjoyment. It gave life and breath to what had been trapped for so many years in my mind, and that alone was strangely gratifying. I gave my characters free reign, and they guided me through an adventure that later developed into my debut novel, TURN OF THE SENTRY. I never used an outline, and never told my characters what to do. I was just the transcriptionist. If I had to describe the sensation, it would be like turning on your favorite TV show, and writing down everything you heard while trying to describe everything you saw. Some days it was quite a challenge, and I struggled to keep up and find the right words without getting in the way of the story. But each day was exciting in its own right because I never knew for sure what was going to happen, and I never knew how or when it would end. And as I continued to tell their tale on paper, the other characters in my head quieted down, lulled by act of the storytelling. They didn’t disappear, mind you, but their zeal was quelled slightly by the inherent promise that one day they, too, would have their turn.

So what is my point in relaying this bit of personal trivia? It is two-fold, really. First, in my humble opinion and as I see it, a person does not learn to be a writer. Sure, you can learn all the rules that pertain to writing—you can learn about the parts of speech and sentence structure, and rhythm, and tense, and all that stuff you read about in creative writing courses. There are formulas for developing and outlining a story; formulas for creating believable characters; formulas for writing natural-sounding dialogue; formulas for developing plots and subplots; and so on. But a person does not learn to be a writer by following the rules anymore than a person learns to be an artist by doing a paint-by-number project. The urge to write—the compulsion to write—is inborn. It is woven into the very fabric of a writer’s soul. It springs from their heart, their being, their very selves and, in fact, it is a part of their very selves that they commit to paper when they write. Which brings up my second point: Despite my therapist’s assertions to the contrary, it is my firm and honest belief that writers, for the most part, harbor a sanctioned form of insanity. I believe every true writer of fiction is a little insane, albeit a socially acceptable form of insanity.

The need to write is based upon a strange, persistent and sometimes disturbing compulsion to escape into an unseen dimension—another realm, if you will. For every writer of fiction, there is some part of their psyche that is detached from the world around them and tethered somewhere else. Writers have the ability to retreat into another world at will. It’s not an escape from “reality” per se, since the world created by the writer is, for us, real to some degree. Rather, it is a passage into an alternate world, and by describing that world on paper, its existence is somehow validated, and that part of ourselves which remains there, even during those hours when we are going about our lives in the “real” world, is validated as well.

If you have this “Writer's Gene,” as I call it, it does not guarantee you’ll produce a best seller—hell, it doesn’t even mean you’ll produce something worth publishing. What it does guarantee, however, is that you will write. You will have to write. You will be unhappy—even miserable—if you don’t and you will never feel completely satisfied until you do. And I can practically guarantee you that those books that you’ve read that are really, really good—you know the ones I’m talking about: the ones you can’t put down, even when it’s 2:00 in the morning and you’re dying to get some sleep; the ones that stay in the back of your mind long after the last page has been turned; the ones that you will pick up again and again, just to relive the experience—those books were all written by someone harboring the sanctioned insanity of the Writer’s Gene.

The Literary Agent: Who is that Person Behind the Curtain?

A.M. Boyle — 2010-01-22T15:04:00Z

Ahhh...the ever elusive Literary Agent; the "gatekeeper" of the literary industry, sought after by every writer who dreams of publication, endowed with the power to open the closed doors of many a publishing house, and thus transform a hopeful writer into a published author.

But exactly who is this person anyway? What lies beneath the perceived mystique of the Literary Agent?

Most people know the story of the Wizard of Oz.. If you've ever seen the movie, you're sure to remember the moment when   "the great and powerful Oz," all fire and flash, was unmasked by little Toto, who tugged on the curtain and eventually exposed a feeble, uninspiring old man who was anything but powerful, and certainly not all that great.

Do you see where I'm going here?

Okay, at the risk of incurring the wrath of any literary agents who happen to stumble upon my blog, let me clarify. I'm not saying that all agents are feeble old men with little power or influence. To the contrary, some of them carry a great deal of weight within the literary community and are masters at finding and placing good novels. But many of them are not nearly the semi-supernatural entities writers often believe them to be. In fact, some of them probably border on incompetent, and more than a few are thinly-veiled scam artists. In my humble opinion, this disturbing state of affairs is due in large part to the lack of rules or regulations governing who can or can't be a literary agent.

Many moons ago, when I decided to become an attorney, I had to go through 4 years of college, 3 years of law school and pass several rigorous exams in order to obtain a license for any state where I wanted to practice. I had to partake in continuing legal education, and had to adhere to the rigid standards of each state's bar association. All this was for the protection of potential clients. When my brother decided to become a research doctor, he had to go through countless years of post-graduate education and training and had to prove himself to the appropriate boards in order to qualify for various research positions. When my friend decided to become a real estate agent, she had to take a designated number of courses and pass a challenging exam in order to obtain her license. When I decided to become a literary agent several years ago, I had to...well...I had to basically do nothing. There were no tests, or classes, or licensing procedures. There was no minimum required education. Basically all I had to do was proclaim myself a literary agent. Was I qualified? Maybe. I could read; I could write; I carried a bachelor's degree and a post-graduate degree (in law); I knew the basics of grammar, structure, spelling, punctuation, etc. (although my editor may beg to differ); I could distinguish a good story from a bad one; I trained with a practicing agent for a year or so, through which I made some connections with editors in the NY publishing houses...but as far as industry qualifications and required licensing? Well, there are none.

Shocked? I was.

When I finished my manuscript for TURN OF THE SENTRY, and began my quest to find a literary agent, I just assumed that if a literary agent was listed in a manual or included on a website, then they must have passed through some rigorous training to get there. After all, that's true for nearly every other profession, right? A dentist isn't listed on the American Dental Association's site unless he has a degree in dentistry; a plumber isn't included on the list for the Professional Plumber's Association unless he is appropriately licensed; a teacher can't get a job teaching my kids unless she has the relevant education and certifications. So it made sense to assume that, in order to hold oneself out as literary agent, there must be some sort of licensing, training, or other standards which must be met. Ah, but in the immortal words of Felix Unger in one of my favorite "Odd Couple" episodes, "...don't ever assume, because when you assume you make an "ass" out of "u" and "me."

It is a sad and scary reality that there are no education requirements, no licensing requirements, no training requirements, no internship requirements, no clearly defined standards whatsoever, for someone wishing to become a literary agent. Basically, anybody can proclaim to the world that they are a literary agent, and *poof* they are a literary agent. Why is this?   How is it that the person so revered bywriters as the gatekeeper of the industry doesn't have to show they arequalified to serve as gatekeeper? True, there are watchdog groupsout there who try to keep an eye on unscrupulous agents and try to warn thegeneral writing population that just because someone claims to be aliterary agent doesn't mean they are any good at it. Some writers heedthose warnings, but so many others, through desperation, often fall prey to deception.

Granted, the industry, by necessity, has it's own inherent checks and balances--for instance, if I say I am a literary agent, but have no inroads to publishing houses or connections with editors, I will be hard-pressed to sell anything. And if I don't sell anything, I won't make money. But that doesn't stop many agent wannabe's from trying and, in fact, many publishing houses are more than willing to give a "new" agent a shot by at least taking a look at a manuscript or two. This may give the anxious writer the illusion that the agent is "well-established" in the industry. Still, many so-called agents will solve the dilemma of money by charging up-front fees (i.e. reading fees, editing fees, etc.), and although the watchdogs out there warn writers off any agent who charges fees for any reason, many writers, out of desperation, ignore those warnings and, unfortunately, pay a great deal of money for false hope. There are civil claims a writer can make against the more unscrupulous agents, if and when they get caught. Still, not every inexperienced or newbie agent is necessarily out to screw the unsuspecting writer. To the contrary, many have very good intentions. But, good intentions aside, their lack of experience and practical training may cause more harm than good and may result in nothing but disillusionment and disappointment for both writer and agent. I can say this because I was admittedly in that boat.

I worked for a small literary agency for a year or so. I came to the agency as a client, but one thing led to another and I became an assistant, helping them wade through the river of query letters, and "learning the business" along the way. At first, I just reviewed query letters, picking the good from the bad. If the concept of the story sounded intriguing, chapters were requested. After a while, I began reviewing those, too. During my "training," I would review the chapter(s) already decided upon by those more knowledgable than I, and my mentor would then instruct me as to what I got right, and what I missed. This is how I learned what to look for and what to avoid. After a while of this, I started to get the hang of it, and began reviewing chapters on my own, deciding if they merited further consideration or not. But this "training" was based on the assumption (there's that word again!) that my mentor actually knew what he was doing to begin with. After all, if you do not know math, and someone repeatedly tells you 2 plus 2 equals 5, you will believe it, but it will still be wrong. I'm not saying my mentor was necessarily wrong in what he taught me to look for, but tastes in literature are very subjective. While there are certain elements of writing that are objective (grammatical rules, sentence structure, point of view, etc.), what a particular person finds intriguing or appealing is often more of a subjective matter of style and taste than an objective application of the rules. Nonetheless, on the basis of this brief and limited "training" I was elevated to the status of Assistant Literary Agent.

After a while, my mentor and I had a bit of a falling out, and I struck out on my own. I told a very limited number of writers (mostly personal acquaintances) that I was going to try my hand at Agenting and that I was willing to accept a limited number of clients on a trial basis. Well, this quiet message to a few select people somehow got whisked away on an audible breeze, because in a matter of months, I had over 100 query letters and at least 50 manuscripts (unsolicited)! These writers didn't know me from Adam. I had not advertised on the internet, nor was I listed on "AgentQuery.com," or any other site. Yet they were trusting me with their manuscripts, and letters and packages magically appeared on my doorstep. I quickly realized that I was in way over my head; after all, my connections in the publishing world were very limited at best, and I felt like I was only giving these anxious writers false hope. I shut down my "practice" as a literary agent and retained only one client (who is also a good friend). And yes, I was successful in placing his book with a publisher--more dumb luck than skill, I'm afraid.

So what is my point in all this? I guess it's really an extrapolation of the old phrase, "Buyer Beware." I was not aware until I became an agent myself that there are no licensing requirements or other qualifications which must be met in order to call yourself a literary agent. I would guess that many writers out there aren't aware of that either. In truth, writers will often cling desperately to the first agent who shows an interest in their manuscript without giving much thought as to whether that agent is qualified to represent their work. Not to say that my agent was not qualified, but his expertise was not in the science fiction, horror or fantasy field. My book went out to a short list of potential editors, after which I was told that it was not salable and I should shelf it and begin working on my next one. It was a frustrating experience for both of us. Turns out that TURN OF THE SENTRY was salable--it just took more time than he was willing to give, and different connections then he had. I learned the hard way that agents have no mystical powers; just because an agent accepts your manuscript doesn't necessarily mean he or she is a good match for your book or that it will even come close to selling. When I was serving my time as a literary agent, I wasalways upfront with potential clients about my lack of experience andmy newness to the profession. Other wannabe agents may not be so honest

For those of you who care, my advice is simple. On that glorious day when an agent actually offers representation, don't break out the champagne right away. Check out the agents credentials. Any agent who is worth your time should not take offense to an inquiry as to his/her experience, previous sales, and track record. Find out how many years they have been an agent, and what, if anything, they did before that. Was it related to literature, or was there no connection whatsoever. If the agent is "fresh out of college," ask about his/her course of study--i.e. did they major in mathematics or English literature? After all, would you send your child to a daycare without first checking the credentials and experience of that daycare? In effect, for many writers, their manuscripts are their babies--why would you want to put your baby in the hands of someone not qualified to handle it? Take a hard look at the agent's past sales, and see what types of books they have been representing--see if they match the style/genre of your manuscript. Check out the publishing houses/editors whom they've been selling to. Are they houses you are interested in? Are they houses that publish the kind of book you have written?

If any literary agent balks at these simple requests, red flags should be flying all over the place.

Finally, be very, very wary of any agent who charges fees for anything,especially any kind of reading or editing fees. Be extremely cautiousof any agent who refers you to an outside source for editing,especially if that outside source is going to charge you money.

I know first hand how tempting it is to disregard these "minor" details and grab hold of an agent with both hands, grateful to have one, regardless of their experience or specialization. This will do you no good, and will probably result in bitter disappointment.

Just remember, there are no regulations and licensing requirements in place to protect your interests when looking for a literary agent. You have to protect your own interests. Don't depend on Toto to come tugging on the curtain--do it yourself.

TWENTY-TEN OR TWO THOUSAND & TEN?

A.M. Boyle — 2010-01-08T16:25:00Z

Welcome to 2010! While the debate rages as to whether it should be stated as "Twenty-Ten" or "Two Thousand and Ten," I once again ponder the significance of that great shiny ball dropping amidst a sea of humanity in Times Square. People stand there for hours in the freezing cold with champagne at the ready and horns & whistles blowing, and scores of people watch them, huddled around their big screen TV's as the countdown begins. Why is it so important? Why do so many celebrate so enthusiastically? Is there some purpose behind all the hoopla, or is it just another excuse to party? Well, for some, perhaps it is just another excuse to get (as one friend put it) "toilet-huggingly drunk." Those are the usual hardy bunch that see every holiday (whether it's Ground Hog Day, Flag Day, or International Talk Like a Pirate Day) as an excuse to throw a kegger. And yes, in my younger days, I used to be among them.

But there's more to it than that. New Year's Eve isn't just a reason to party. There's something mystical about the start of a new year. It carries with it the promise of new beginnings. It echoes with the thrill of starting over, and offers all the treasured opportunity to erase what has gone before and try again. In a word, for many, the New Year represents Hope. I firmly believe that there is a natural drive within the human spirit to want to do better--to achieve, to grow, to improve. In general, I think people have an honest desire to do better, be better, and improve themselves and their relationships. Few people are satisfied with the "status quo," and a New Year presents the ideal opportunity to break through those self-imposed barriers and begin again. After all, almost everybody I know makes the infamous "New Year's Resolutions." Usually, they are geared somehow to self-improvement. I asked people on my Facebook (http://www.facebook.com/#/pages/AM-Boyle/104303226681?ref=tsto) to tell me their New Year's resolutions. I expected the usual diet and exercise, or maybe the occasional "get more organized," but I was pleasantly surprised at some of the unique responses. Some of them really made me stop and think. One individual even stated that she wanted to "continue to learn from her son," a concept that warms me and makes me wonder what I can learn from my own children. Amazing, how the New Year inspires such self-reflection and brings out the best in people. I believe it's because there is a spark in the human soul that fuels a desire to be better, to thirst for and strive towards something greater than ourselves, and to fulfill our God-given purpose and potential.

But this is a lot of responsibility to heap on one poor little day sitting so innocently on the calendar. After all, January 1st is just a day like any other, and (aside from the occasional Mummer's feather on the streets of Philadelphia) there is nothing different in the air. Magic fairy dust does not rain down, mysteriously bolstering our will power or eliminating old habits. So many people, around the third or fourth week of January, begin to get discouraged. The New Year is rolling along and all their good intentions for change and improvement don't seem to be panning out quite the way they should. Depression runs rampant in February. The winter drags on, the Holiday Hustle is history, and those New Year's resolutions have fallen victim to old habits and stubborn behaviors. So what then? Do we just muddle through and wait for next New Years? Unfortunately, some people do. But I think they're missing out; I think there's a better solution.

Like I said, January 1st is no different than any other day on the calendar, except for the significance WE GIVE IT. WE are the ones who have dubbed that date the Master of New Beginnings--WE are the ones who have endowed that day with the power to change lives. So if we have the power to do that with one day, why not do it for other days as well? Hell, why not do it for EVERY day? What if we woke up every day and, before we stumbled out of bed, convinced ourselves it was New Year's day? Aside from the necessity of thawing out yet another pork roast and calling in sick to work, just imagine the mental possibilities! Suppose, for the purpose of change and improvement, we treated every day as a New Beginning--a chance to start over, or do better, or make important changes? Suppose we faced every day with the same hope and conviction we carried with us on January 2nd? What would happen? What could happen? I think lives would be changed, that's what. I think attitudes would be transformed. I think people would begin to realize that every day, not just the ones we choose to label, is a wonderful, mystical gift in it's own right; every day is a chance to begin anew, and to live life to the fullest, with every good hope and expectation firmly in place.

So what's my New Year's resolution? To treat every day as a New Beginning; to grab hold of and pull forth the God-given purpose and potential that is there for me each and every morning.

HAPPY NEW DAY, EVERYBODY!!!

A Virtual Halloween Campfire!

A.M. Boyle — 2009-10-21T20:33:00Z

       A VIRTUAL HALLOWEEN CAMPFIRE!


Halloween is coming! As an author of creepy things, you might guess that it is one of my favorite times of year--a time when the imagination runs wild, when ordinary shadows take on more ominous forms, the night air crackles with ghostly anticipation, and the supernatural becomes more tangible, if just for a while. As you might have also imagined, I love ghost stories, especially the nonfiction kind. In hopes that you out there have some to tell, I am creating this virtual campfire, where we can gather around and swap goosebumps.

Do you have a story to tell? Ghostly sightings? Strange apparitions? Poltergeist visitations? Unexplained phenomenon? Well pull up a log and tell us about it! Who knows? If we get a cool enough collection of creepy tales, we may put together our own anthology!

So...anything weird happen to you lately???

p.s.   If you're story is too long for one comment box, then divide it up, and make it into Part I, Part II, and so on!

TURN OF THE SENTRY Trailer

A.M. Boyle — 2009-09-16T20:03:00Z

Video trailer for my dark science fiction/fantasy TURN OF THE SENTRY, released by Wild Wolf Publishing in July 2009. Enjoy!

A Challenge to All of You!

A.M. Boyle — 2009-09-16T16:49:00Z

Hey out there in Blogomatic Land!

Yes, I've been negligent in my blog-posting again. That's because I've been busy--and, quite honestly, I'm still trying to find a more definite direction for my blog. Then I had a conversation with another author about finding time to write, and it gave me an idea.

Everybody likes a challenge, right? And I would guess that many people who are reading this blog are interested in writing. Soooo...here's my challenge: FINISH YOUR NOVEL IN LESS THAN FOUR MONTHS.

Every writer out there, published or not, probably has a novel-in-progress. For many of them, it is been "in progress" indefinitely. In my stint as a literary agent, I've spoken to throngs of writers who are "working on" a novel, but never quite get around to finishing it. But you can't get it published until it's finished! Now, I'm challenging each and every one of you who has a "novel in progress" waiting in the wings to get it done, and I'm offering you a formula for its completion. It's so simple, it hurts, and I'm sure I'm not the first one to come up with this idea. Forgive me if you've already figured it out, but even if you have I wonder how diligently you've stuck with it.

The plan? Write 1000 words (that's NEW words, not revisions) EVERY SINGLE DAY--no exceptions, no excuses.

Sounds easy? Well then, what are you waiting for? Accept the challenge!

This is how it all came about.

My Problem: It's been suggested that I write an "interim" novel before completing the sequel to TURN OF THE SENTRY.

My Gripe: It is extremely difficult to pull yourself away from a novel in progress to work on another one that hasn't yet grabbed your full attention. I've been lacking in incentive, and the interim novel has been languishing. It's also become increasingly difficult to find the time to write, what with the plethora of personal issues buzzing around in my life right now, and the high-intensity marketing/promotion I've been trying to do.

The Suggestion: Set a "goal" number of words to write each day--EVERY DAY--no exceptions, and stick to that goal.

The Result: A personal commitment to write at least 1000 words each day. Since the average length of my novels is 100,000 words, theoretically, in less than 3.5 months, I should have the first draft of a completed novel.

But then I said to myself, "Self, why go it alone? Why not spread the joy of anticipation in having a completed novel?"

If you are truly a writer, 1000 words is not a lot. So here's the challenge to all of you out there who have that novel blithely hanging in your psyche somewhere but just can't seem to get it down on paper. Commit to writing at least 1000 words a day--EACH DAY, EVERY DAY, no matter what, even if the "muse" is nowhere to be found, or your Uncle Ernie is visiting from Michigan, or your boss just gave you two new projects to handle, or you took vacation time to avoid the two new projects your boss just gave you to handle, or your dog has swine flu, or your swine has dog flu...get the idea? No excuses! Unless the sun explodes and the word comes to an abrupt end, you have to write the 1000 words (yes, weekends, too!) Then, if you stick to it, at the end of 100 days (that's less than 3.5 months!) you will have completed your novel!

It's that simple--do you think you can do it?

Then let me know if you accept the challenge!

Keep me posted on your progress. Send me chapters if you'd like. Ask questions. Get advice. Bitch and moan. Tell me about what problems you are running into. I WANT TO KNOW!

In the end, you will be rewarded with a completed novel, ready for revision and refining and eventually, who knows?--maybe even publication!

GOOD LUCK!!!!

A.M. Boyle

A Whole New World!

A.M. Boyle — 2009-08-05T14:01:00Z

Yes, yes, I know. I'm a BAD Blogger--it's been something like 30 days since I updated my blog (uh, maybe longer--I'm afraid to look). But I never realized how incredibly time consuming marketing a book could be! Writing the book was fun. Editing the book was enjoyable. Placing the book was an incredible challenge. But now marketing the book--well, it's a whole new world to me. It is amazing to me that fiction writers, usually the most anti-social of creatures, preferring to spend their time wandering around the realm of their imagination, are suddenly expected to transform into social networking guru's once they publish a book. It's hard to know exactly where to begin. There is a plethora of handbooks, manuals and guidelines out there purporting to tell a newly published author how to network, how to market, how to promote. But what they don't tell you is how much gosh darn time it takes, and how tedious it can become! Further, everybody has differing opinions as to what works best: someone may swear by social networks, such as Facebook and Twitter, while someone else may firmly believe that face to face marketing (you know, the good old handshake-and-smile kind) works the best. Another may tout Blog Tours and an e-mail marketing blitz as the best ways to reach potential fans, while still another may swear by book signings and book tours as the only real way to reach the masses.  If I followed every bit of advice on the "best" way to market and promote, I would need at least 10 extra hours everyday to get it all done! Most of the time I feel as though I'm tripping over my own efforts to find the best and most efficient way to effectively market my book, and if it wasn't for the guidance and advice of a couple of kind colleagues who have taken pity on me, I may have given up a long time ago. The irony is this: When I wrote the book, I struggled to become a published author; now that I'm a published author, I struggle to find time to write a book!

So, in the end, my Blog has suffered. And my writing. And I am wondering how to find that ever elusive balance between promoting and writing, because without promotion, why bother publishing, and without writing, there'd be nothing to publish.  It is truly a whole new world to me, and no there are no Atlases, roadmaps or GPS units that will agree on the best route to take. I suppose it's up to me to once again find my own way in my own time and just hope for the best in the long run.

Now it's time to get ready for my speech to the local rotary club. And then I need to make sure I have enough give-aways for my book signing on Saturday. Then it's off to update my Facebook and Twitter pages and, after that, I need to catch up on the two dozen writers' boards I now belong to. Oh, and I need to map out the list of independent bookstores I will be visiting this month in an effort to set up even more book signings and hopefully get my book on the shelves.    Also, I can't forget to mail out the hard copy invitations to my Book Launch...and somewhere in the middle of this, I might actually sit down and write a page or two...after all, when all is said and done, I am still a Writer. Right???

AMB

ALL HAIL THE ALPHA POST

A.M. Boyle — 2009-06-03T18:43:00Z

You, brave readers, are bearing witness to the Alpha Post. It is the first, the beginning, the primary, the leader, the unchallenged--well, you get the idea. The question is, do I?

Every author--new, seasoned, or somewhere in between--is warned of the necessity of "social networking." It's like a mantra--you must use Facebook, you must set up a MySpace, you must learn how to Twitter, you must set up a Website--and so on. Honesty, I've heard it so often for so long, I'd become numb to it, like a teenager hearing for the tenth time, "take out the trash," who responds with a shrug and a "yeah, yeah--I'll take care of it later." With the publication of my new novel imminent, "later" is NOW, and the need for social networking has taken on a new sense of urgency. Like a good little soldier, I set up my Facebook, my Twitter, my Website, my MySpace, and so on. But for me, the most intimidating aspect of the whole social networking scene was the idea of the ominous BLOG. I kept it until last, approaching it with about as much gusto as I approach my next dental appointment. I mean, I've seen blogs, read blogs, even commented on blogs, but to actually host one? How could I? What would I say? How would I get people to actually read it? Where would I find time to update it? All good questions and truthfully, I haven't really answered any of them yet. But Blog I must.

In considering what to do about this thing called Blog, I researched others and quickly realized that most blogs have a theme of some sort. Some are designed to teach their readers about something, pass along useful information, or challenge their minds in some way.  Others are designed to spark debate about relevant (or sometimes not so relevant) issues. Still others take on a sort of a "day in the life" format which, for me, would result in a very short, boring blog indeed (woke up, got the kids to school. Ate breakfast. Checked my e-mail. Typed. Ate lunch. Typed some more...*yawn*). So I was faced with a decision. Did I want to go the practical route and join the ranks of other writing professionals who try to educate and inspire? After all, I've been a writer for many years--I could tell my readers about the process of writing, how the ideas gradually make their way onto paper, and what to do about it once they finally get there. I've also served my time as a literary agent--I could tell my readers what it's like to see the writing world from both sides of the fence, explain what many agents look for in a query letter, and tell them what really happens to a manuscript once an agent gets it in hand. I've also been a ghostwriter for some time--I could tell readers what it's like to write stuff and get no credit for it outside of a paycheck, or how one goes about finding clients to ghostwrite for to begin with. I'd also earned my keep as a lawyer for 17 years before leaving it behind to pursue my dream of being a writer--I can tell readers what it was like to make the transition, how my legal background has helped along the way, and how it felt to go from princess to pauper, all for the sake of happiness.

On the other hand, my non-practical side might have something to say as well. After all, I spend most of my days in a fabricated world, locked up in my office, bouncing against the walls of my imagination.  I have thoughts and theories about life, death, and the worlds unseen by the human eye. I have ideas and speculations that just beg for revelation. I have a background in philosophy, and thrive on debate. There are so many aspects to existence that need to be explored, examined, and discovered--maybe my blog should serve as the vehicle through which such exploration and discovery could take place.

Which avenue to take. Quite a conundrum.

Then, somewhere around my fifteenth gummy bear, it hit me: why not do it all? A new idea was born: a blog with no boundaries. No labels, no preconceived notions, no hard and fast structure. After all, it is MY blog, so why should I spend my time sitting in a prefabricated pigeonhole waiting for the day when the Omega blog is finally written? There really is no need to, and I've never been one to conform to expectations. So, as you may have noticed, I have included a header at the top of my page to read "No Pigeonholes Allowed" (in fact, I had toyed with the idea of inserting an image of a pigeon, but it just didn't fly--okay, bad pun).   What that header means is simply this: I will not limit myself to a set category of topics to cover on my blog. One day, I may feel like explaining how an agent does what an agent does, and what really goes on behind the mysterious curtain; the next day I may feel like expounding upon the theory of a toroidal universe. One day, I may want to review ways to ensnare your readers within the first five pages of your novel, but the next day, I may want to discuss the nature of evil and how it came to exist in our world to begin with. Who knows? I may even throw in a political tirade or two, just to shake it up a bit.

Either way, my goal is to host a blog that will always keep you guessing, and will hopefully keep you coming back. I have a thick skin and an open mind, so I encourage all readers to exercise their free will and right of free speech without reservation.  Questions, comments and suggestions are always encouraged and welcome.

And so it begins. The rest, as they say, is history.

A.M. Boyle

p.s. I learned my first real lesson of blogging about an hour ago, when I accidentally deleted this message and had to re-write if from scratch. Always save the Blog before clicking on anything!

Welcome

A.M. Boyle — 2009-06-02T17:03:23Z

Welcome to my blog. Please check back soon for new entries.